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Showing posts with label Ameer Khusro. Show all posts
Showing posts with label Ameer Khusro. Show all posts

Amir Khusrau: A Lyrical Maestro of Medieval India

Early Life and Education:
Amir Khusrau
Amir Khusrau

Abu'l Hasan Yamīn ud-Dīn Khusrau better known as Amir Khusrau or Amir Khusro or Amir Khushrow, born in 1253 in Patiyali, Kasganj, India, was a polymath, poet, musician, and scholar who left an indelible mark on the cultural tapestry of medieval India. His father, Amir Saif-ud-Din Mahmud, hailed from Transoxiana, and his mother, a native Indian, infused in him a unique blend of Central Asian and Indian heritage.

From a young age, Khusrau exhibited a keen intellect and a profound interest in learning. His educational journey began under the tutelage of the illustrious poet and scholar Najmuddin Hasan. Khusrau's insatiable curiosity led him to study diverse fields, including philosophy, mathematics, and astronomy.


The Royal Patronage:

Khusrau's talents soon attracted the attention of the Delhi Sultanate's royal court, where he found patronage under the rulers of the Khalji and Tughlaq dynasties. His association with notable figures like Alauddin Khalji and later, the prolific poet and statesman Ghiyasuddin Tughlaq, provided him a platform to flourish.


Khusrau worked with Empires or Rulers: 

Amir Khusrau, the versatile poet, and scholar served under several empires and rulers during his lifetime. Here is a list of empires and rulers he was associated with:

  1. Delhi Sultanate (Under the Khalji Dynasty):

       - Emperor: Alauddin Khalji

       - Duration: Late 13th century (around 1296-1316)

  2. Delhi Sultanate (Under the Tughlaq Dynasty):

       - Emperor: Muhammad bin Tughlaq

       - Duration: Early 14th century (around 1320-1325)

  3. Delhi Sultanate (Under the Tughlaq Dynasty):

       - Emperor: Feroz Shah Tughlaq

       - Duration: Mid-14th century (around 1351-1388)

  4. Delhi Sultanate (Under the Tughlaq Dynasty):

       - Emperor: Ghiyasuddin Tughlaq II

       - Duration: Late 14th century (around 1388)

  5. Delhi Sultanate (Under the Sayyid Dynasty):

       - Emperor: Muhammad bin Farid

       - Duration: Late 14th century (around 1394-1406)

  6. Delhi Sultanate (Under the Lodi Dynasty):

       - Emperor: Sikandar Lodi

       - Duration: Late 15th century (around 1489-1517)


Throughout his career, Amir Khusrau witnessed the changing landscapes of the Delhi Sultanate, serving under multiple rulers who belonged to different dynasties. His association with these empires allowed him to contribute significantly to the cultural and literary milieu of medieval India.


Literary Legacy:

Khusrau's literary contributions are a testament to his versatility. He excelled in various genres, including ghazals, masnavis, and rubais. His poetic oeuvre reflected the cultural syncretism of his time, seamlessly blending Persian and Hindavi (early Urdu) in a linguistic fusion known as "Hindvi."

In his divan, "Divan-e-Khusrau," and epic poems like "Matn-ul-Quloob" and "Nuh Sipihr," Khusrau masterfully explored themes of love, mysticism, and the socio-political milieu of his era. His ghazals, in particular, continue to resonate across centuries, capturing the essence of Sufi philosophy and the complexities of human emotions.


Musical Maestro:

Beyond his literary prowess, Khusrau's musical genius was equally noteworthy. He is credited with the invention of the musical genre "qawwali" and the introduction of the sitar and tabla into the Indian musical tradition. His compositions, especially the soul-stirring "qaul," exemplify the spiritual depth embedded in his work.


Legacy and Impact:

Amir Khusrau's legacy reverberates through the annals of Indian history. His literary and musical innovations laid the foundation for the development of Urdu and Indo-Persian poetry. The Chishti Sufi order, to which he was closely affiliated, venerates him as a spiritual luminary.


Notable writing of Amir Khusrau:

Amir Khusrau, a prolific poet, musician, and scholar, left behind a rich legacy of literary works. Here are some of his notable writings:

  1. Divan-e-Khusrau: This is a comprehensive collection of Khusrau's ghazals and other poetic forms. It showcases his mastery in both Persian and Hindavi, reflecting the cultural fusion of his time.
  2. Mathnawi-e-Nuh Sipihr (The Nine Skies): This epic poem explores themes of cosmic significance and divine love. It is written in Persian and reflects Khusrau's deep engagement with Sufi philosophy.
  3. Khamsa-e-Khusrau (The Quintet): Comprising five masnavis, this work includes "Matn-ul-Ans," "Hasht-Bihisht," "Laila-Majnun," "Ishqia," and "Tughluq-Nama." Each masnavi explores different facets of love, mysticism, and historical narratives.
  4. Qiran-us-Sa'dain (Meeting of Two Auspicious Stars): A prose work, Qiran-us-Sa'dain is a historical romance that narrates the love story of a prince and princess, symbolizing the union of India and Iran.
  5. Tughluq-Nama: This masnavi is a historical narrative that provides an account of the reign of Sultan Muhammad bin Tughlaq. Khusrau's witty and satirical style is evident in his depiction of the sultan's rule.
  6. Ghurrat-ul-Kamal (The Prime of Perfection): A biographical work, this book is a tribute to various saints and Sufi masters, reflecting Khusrau's deep spiritual inclinations.
  7. Nihayat-ul-Kamaal (The Zenith of Perfection): This work explores the life and teachings of Hazrat Nizamuddin Auliya, Khusrau's spiritual mentor. It is a testament to Khusrau's admiration for Sufi saints.
  8. Rasa'il-e-Khusrau (The Letters of Khusrau): A collection of Khusrau's letters, offering insights into his thoughts, beliefs, and interactions with contemporaries.
  9. Tuhfat-us-Sighr (The Gift of Childhood): An autobiographical work, Tuhfat-us-Sighr provides glimpses into Khusrau's early life, education, and the socio-cultural milieu of his time.
  10. Qaul-e-Farsi (Persian Sayings): This collection includes Khusrau's Persian verses and sayings, showcasing his command over the Persian language.
Amir Khusrau's writings span various genres, including poetry, prose, and historical narratives. His works continue to be studied and celebrated for their linguistic richness, cultural depth, and spiritual insights.

Resting Place:

Amir Khusrau was buried next to his beloved Sufi Saint Hazrat Nizamuddin inside Nizamuddin Dargah premises.
 

Khusrau's impact extends beyond the realms of literature and music; he was a bridge between diverse cultures, fostering harmony in a tumultuous era. His timeless verses and melodic compositions continue to enchant enthusiasts, ensuring that the legacy of Amir Khusrau remains an enduring source of inspiration.

Ghar nari gawari, chaahe jo kahe | घर नारी गवरी, चाहे जो कहे

Preetam desh suhawano, jahan basen dildaar 
Khusro...
Wahoo desh pe, so tan man deejo waar

Ghat ke andar baith ke, or kare premi se pyar
Aise piya pe chupchap, na tan man deejo waar

Ghar nari gawari, chaahe jo kahe
Main Nijam se naina laga aaii re

Khusro rain suhag ki, so jagi pii ke sang
Tan mora, man piihuu kaa, so dono aik hi rang

Aisa sundar, aisa chhabeela, duja koi nahin
Jaisa Baba Farid ka pyara Khwaja Nijamuddin

Aao sakhyon sab mil baithen, peer nijam ke sang 
ek pal me jo, nain mila kar, range prem ke rang 

Ghar nari gawari, chaahe jo kahe
Main Nijam se naina laga aaii re

Khusro sagda jug bhar dhunde, nagri nagri jaye
Tohra piya, tere sang rahat hai, tu kahe ghabraye

Sohani soorat, mohani moorat,
Mein to hirday beech samaa aaii re

Ghar nari gawari, chaahe jo kahe
Main Nijam se naina laga aaii re

Maraa tana mazam, aay muddaye, tarze adayam dee
Manam rindey, kharabaaty, sare bazaar me raqsam

Ghar nari gawari, chaahe jo kahe
Main Nijam se naina laga aaii re

Khusrao Nijam ke bal bal jayye,
Mein to anmol cheri bita aaii re

Ghar nari gawari, chaahe jo kahe
Main Nijam se naina laga aaii re


--@ Ameer Khusro

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प्रीतम देश सुहावनो, जहाँ बसें दिलदार 
खुसरो ...
वहू देश पे, सो तन मन दीजो वार 

घाट के अंदर बैठ के, और करे प्रेमी से प्यार 
ऐसे पिया पे चुपचाप, न तन मन दीजो वार 

घर नारी गवरी, चाहे जो कहे 
मैं निजाम से नैना लगा आई रे 

खुसरो रेन सुहाग की, सो जगी पी के संग 
तन मोरा, मन पीहू का, सो दोनों एक ही रंग

घर नारी गवरी, चाहे जो कहे 
मैं निजाम से नैना लगा आई रे 

ऐसा सुन्दर, ऐसा छबीला, दूजा कोई नहीं 
जैसा बाबा फरीद का प्यारा ख्वाजा निजामुद्दीन

आओ साख्यों सब मिल बैठें, पीर निजाम के संग 
एक पल में जो, नैन मिला कर, रेंज प्रेम के रंग 

घर नारी गवरी, चाहे जो कहे 
मैं निजाम से नैना लगा आई रे 

खुसरो सगड़ा जग भर ढूंढे, नगरी नगरी जाये 
तोहरा पिया, तेरे संग रहत है, तू कहे घबराये 

सोहनी सूरत, मोहनी मूरत,
में तो ह्रदय बीच समा आई रे 

घर नारी गवरी, चाहे जो कहे 
मैं निजाम से नैना लगा आई रे 

मरा तना मज़म, ए मुद्दई, तर्ज़े अदायम दी 
मनम रिंदे, ख़राबाटी, सरे बाजार में रअक़्सम 

खुसरो निजाम के बल बल जाइये,
में तो अनमोल चेरी बिता आई रे 

घर नारी गवरी, चाहे जो कहे 
मैं निजाम से नैना लगा आई रे 

-- @अमीर खुसरो